Losev’s interpretation of Schelling’s aesthetics
DOI:
https://doi.org/10.22240/sent27.02.077Keywords:
Losev, Schelling, Aesthetics, Absolute, Nature, Arts.Abstract
The article analyses interpretation of Schelling’s aesthetics in Losev’s work «The very itself» (Samoe samo). It shows that Losev’s translation of the «Philosophy of arts» deformes some Schelling’s ideas about the Absolute, nature and arts. It makes the interpretation of his aesthetical conception non-immanent and non-relevant.References
Dobrokhotov, A. L. (2006). The world as a name. [In Russian]. In V. V. Anashvili (Ed.), Logos 1991-2005. Selected Writings in 2 vols. (Vol. 2, pp. 301-318). Moscow: Territoria Buduschego.
Dobrokhotov, A. L. (2008). "Waves of Meaning", or A. F. Losev's Genology in the Treatise "The very itself". [In Russian]. In A. L. Dobrokhotov, Selected Works (pp. 337-356). Moscow: Territoria Buduschego.
Losev, A. F. (1993). Essays on Classical Symbolism and Mythology. [In Russian]. Moscow: Mysl.
Losev, A. F. (1994). The very itself. [In Russian]. In A. F. Losev, Myth - Number - Essence (pp. 299-526). (A. A. Takho-Godi, Ed.). Moscow: Mysl.
Michelle, K. (2011). Manner, mastership, style. [In Ukrainian]. In A. Vasilchenko et al. (Eds.), European Dictionary of Philosophies: Lexicon of Untranslatables (Vol. 2, pp. 326-331). Kyiv: Duh i Litera.
Schelling, F. W. J. (1859). Philosophie der Kunst. In F. W. J. von Schellings, Sämmtliche Werke (Bd. 5, SS. 353-736). Stuttgart, & Augsburg: J. G. Cotta.
Schelling, F. W, J. (1966). Philosophy of art. Moscow: Mysl.
Tashchian, A. A. (2010). Triad, tetraktida and pentada in Losev's methodology sub specie dialectics of Hegel (experience of logical, theological and culture-historical analysis). [In Russian]. Kultura polisa. Časopis za negovanje demokratske političke culture, 13-14, 263-278.
Dobrokhotov, A. L. (2008). "Waves of Meaning", or A. F. Losev's Genology in the Treatise "The very itself". [In Russian]. In A. L. Dobrokhotov, Selected Works (pp. 337-356). Moscow: Territoria Buduschego.
Losev, A. F. (1993). Essays on Classical Symbolism and Mythology. [In Russian]. Moscow: Mysl.
Losev, A. F. (1994). The very itself. [In Russian]. In A. F. Losev, Myth - Number - Essence (pp. 299-526). (A. A. Takho-Godi, Ed.). Moscow: Mysl.
Michelle, K. (2011). Manner, mastership, style. [In Ukrainian]. In A. Vasilchenko et al. (Eds.), European Dictionary of Philosophies: Lexicon of Untranslatables (Vol. 2, pp. 326-331). Kyiv: Duh i Litera.
Schelling, F. W. J. (1859). Philosophie der Kunst. In F. W. J. von Schellings, Sämmtliche Werke (Bd. 5, SS. 353-736). Stuttgart, & Augsburg: J. G. Cotta.
Schelling, F. W, J. (1966). Philosophy of art. Moscow: Mysl.
Tashchian, A. A. (2010). Triad, tetraktida and pentada in Losev's methodology sub specie dialectics of Hegel (experience of logical, theological and culture-historical analysis). [In Russian]. Kultura polisa. Časopis za negovanje demokratske političke culture, 13-14, 263-278.
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Published
2012-12-16
How to Cite
Derevyanko, K. (2012). Losev’s interpretation of Schelling’s aesthetics. Sententiae, 27(2), 77–84. https://doi.org/10.22240/sent27.02.077
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